There’s a storm brewing behind Bien’s eyes. On “All My Enemies Are Suffering”, the GRAMMY-winning Kenyan star returns with something closer to a spiritual reckoning than a single — a booming, prophetic anthem that moves like a prayer, hits like a curse, and heals like gospel.
Produced by Nigerian genre-shifter Remy Baggins (Tems, Ice Prince), the track opens with a chant that feels pulled from the depths of something ancient — then erupts into a layered fusion of Soul, Afrobeats, and East African percussion. Piano chords crash like waves, drums pulse with urgency, and Bien’s unmistakable rasp cuts through the mix like prophecy on fire.
This isn’t just a clapback. It’s a warning, a flex, and a spiritual shield all at once. With lines like “prepare a table for me right before my enemies” and “all their plans are scatter, scatter,” Bien weaponizes scripture and scars in equal measure — but never loses the melodic touch that made him a continent-wide icon. He doesn’t just sing at his enemies — he sings through them.
“In the end,” he says, “the biggest enemy is the one within.” That duality sits at the heart of “All My Enemies Are Suffering” — a song as much about overcoming personal doubt as it is silencing haters. What could’ve been a diss track instead becomes something closer to a cleansing ritual.
It’s also another marker in Bien’s evolution from Sauti Sol frontman to full-fledged solo visionary. With a COLORS session under his belt, over 200 million streams, and a global fanbase spanning Nairobi to New York, Bien is building a discography that transcends language and geography. And as he tours Europe and the U.S. ahead of his upcoming album Alusa Continua, he’s proving that East Africa’s influence isn’t rising — it’s already here.
From his viral smash “Wahala” with Adekunle Gold to his chart-topping debut Alusa, Why Are You Topless, Bien’s run has been relentless. “All My Enemies Are Suffering” feels like the next chapter in a career defined not by co-signs or awards (though he has plenty), but by conviction, vulnerability, and truth that cuts.
Whether whispered in a candle-lit room or screamed from a festival stage, this one lands the same: undeniable. And unbothered.
