The UK’s classical scene is about to get a modern shake-up. Ensemble Erik, a visionary new instrumental group led by conductor John Beswick, is making waves with their upcoming Philip Glass UK debut—and they’re not playing it safe. With concerts set for September 23rd at Hackney Church, London, and September 25th at Stoller Hall, Manchester, this launch is more than a performance—it’s a movement.
Get your tickets now:
🎟️ London – Hackney Church – Sept 23
🎟️ Manchester – Stoller Hall – Sept 25 (6PM & 8PM shows)
What makes Ensemble Erik stand out? It’s a blend of fearless artistry, contemporary presentation, and a deep respect for musical innovation. Drawing their name from the avant-garde pioneer Erik Satie, the ensemble was created to blur the line between classical tradition and modern expression. And for their UK debut, they’re bringing the bold, hypnotic music of Philip Glass to life like never before.
The program features The Windcatcher, a rarely performed piece for six saxophones, alongside the full original instrumentation of Glassworks, including six reed instruments, two horns, strings, piano, and keyboard. Expect swirling textures, minimalist grooves, and sonic beauty that lingers long after the final note.
Reimagining Classical Music for a New Generation
Beswick, a conductor known for his creative edge and past collaborations with Damon Albarn and Pimlico Opera, believes classical music should be immersive and emotionally resonant. “We’re not just playing notes—we’re crafting experiences,” he says. Future performances will incorporate live visuals to heighten the sensory impact of the music.
Beswick’s Oxford background and deep study into the lineage from Satie to Glass inspired Ensemble Erik’s direction. His vision? To open up the world of minimalism to new audiences—without watering it down.
More Than a Debut—A New Chapter
Beyond Glass, the group aims to expand into the works of Steve Reich and even perform live scores to silent cinema classics like City Lights and Entr’acte. Meanwhile, Beswick’s upcoming genre-bending project, Green Octopus Band, promises even more surprises.
Critics already praise his work. Opera Magazine highlighted his “musical precision,” while The New Statesman and The Sunday Times have recognized his unique ability to balance intellect with emotion. Ensemble Erik is the natural next step.
If you’re ready for something fresh, daring, and deeply musical, don’t miss Ensemble Erik’s Philip Glass UK debut this September.
